South Dakota

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South Dakota, SD

South Dakota is a state located in the Midwestern region of the United States of America. It is named after the Lakota and Dakota (Sioux) American Indian tribes.

South Dakota was admitted to the Union on November 2, 1889. (North Dakota was admitted simultaneously.) Located in the north-central United States, South Dakota is bisected by the Missouri River, dividing the state into two socially and economically distinct halves, known to residents as "East River" and "West River."

In the southwestern portion of the state rise the Black Hills, a group of low, pine-covered mountains.

A region of great religious importance to local American Indians as well as a major draw for the state tourism industry, the Black Hills are also the location of Mt. Rushmore, probably the best-known location in the state and a widely-used unofficial symbol of South Dakota.

Historically dominated by an agricultural economy and a rural lifestyle, South Dakota has recently sought to diversify its economy in an effort to attract and retain residents. The state is still largely rural, though, with one of the lowest population densities in the United States.

The centrally-located city of Pierre serves as the state capital, and Sioux Falls, with 150,000 people, is the largest city in the state.

Geography

South Dakota is situated in the north-central United States, and is usually considered to be a part of the Midwest, although the Great Plains region also covers the state. Additionally, South Dakota is at times considered to be a part of the West.

The Missouri River runs through the central part of South Dakota. To the east of the river lie low hills and lakes formed by glaciers. Fertile farm country covers the area.

To the west of the river the land consists of deep canyons and rolling plains. South Dakota has a total land area of 77,116 sq. miles (199,905 kmē), making the state the 17th largest in the Union.

South Dakota is bordered to the north by North Dakota; to the south by Nebraska; to the east by Iowa and Minnesota; and to the west by Wyoming and Montana.

 

 

 

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "South Dakota".

Patterns, Reflections and Dull Days - For Photography and Photographers

by Paul Scott

Colour on a dull day

Most photographers loathe poor weather but even on the greyest days there are still pictures to be found.

Colour is the most powerful and emotive of all the photographic elements. It can grab our attention, and can turn a mundane subject into a winning photograph. Usually colour looks its strongest when lit with frontal lighting but with some subjects this approach creates pictures where the colour is just too strong. Certain colours, particularly reds, yellows, oranges and pinks, can dominate a composition drawing the eye into the picture. To do this with subtlety you need to use indirect lighting such as that found on an overcast day. The diffused lighting will tend to soften the brilliant hues slightly. It can also be an approach that can help to control some of the more garish colour combinations that you find on your travels and will give you a theme to follow on those drab days of your vacation.

Patterns

Once you start looking, you will find patterns everywhere you go - the challenge to the photographer is to find a way to show them on an image.

From the leaves on tree's to the bricks in a wall, we are surrounded by repeated shapes wherever we go. But because pattern is everywhere, we tend not to notice it readily however, by choosing an unusual camera angle, a photograph can emphasise this repetition and symmetry Often the answer is to zoom in, or move in, close, so that the pattern fills the frame isolating it from its surroundings.

A high or low camera angle can also be useful, as it can show things from a viewpoint that the human eye is not used to. It is also worth trying to photograph the pattern from oblique angles with wider lens settings, so that you create some variation in size amongst the identical shapes the ones nearer the camera appearing much larger than those which are further away.

Reflections

Water not only helps create a double image of your subject it can frequently provide you with an original view of a well-known landmark.

A stretch of water is always worth hunting out as a foreground for your photographs. The surface of a lake, river, pond, or even puddle, will create its own image of the subject in front of you. If the surface of the water is perfectly still, the reflection is a perfect copy of your subject. A rippled surface, on the other hand, creates a distorted, or abstract, view of the scene. Either way, the reflection gives you an alternative view of the subject.

There are two approaches to photographing reflections. You can aim to include both subject and its mirror image creating a feeling of harmony that suits some subjects well. However, the perfectly balanced design can be too symmetrical on other occasions. The other approach is to photograph the reflection alone. This creates a more mysterious view of the subject - particularly if the surface of the water is not completely flat. When presenting these shots, you have the option of showing the picture as you shot it - or being more devious by turning the composition upside-down.

About the Author

For advice on Photography try Black White Photography Tips or Black and White Photography Tip or Black Photography Tip White

 

 

 

 

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