South Dakota, SD
South Dakota is a state located in the
Midwestern region of the United States of
America. It is named after the Lakota and Dakota
(Sioux) American Indian tribes.
South Dakota was admitted to the Union on
November 2, 1889. (North Dakota was admitted
simultaneously.) Located in the north-central
United States, South Dakota is bisected by the
Missouri River, dividing the state into two
socially and economically distinct halves, known
to residents as "East River" and "West River."
In the southwestern portion of the state rise
the Black Hills, a group of low, pine-covered
mountains.
A
region of great religious importance to local
American Indians as well as a major draw for the
state tourism industry, the Black Hills are also
the location of Mt. Rushmore, probably the
best-known location in the state and a
widely-used unofficial symbol of South Dakota.
Historically dominated by an agricultural
economy and a rural lifestyle, South Dakota has
recently sought to diversify its economy in an
effort to attract and retain residents. The
state is still largely rural, though, with one
of the lowest population densities in the United
States.
The centrally-located city of Pierre serves as
the state capital, and Sioux Falls, with 150,000
people, is the largest city in the state.
Geography
South Dakota is situated in the north-central
United States, and is usually considered to be a
part of the Midwest, although the Great Plains
region also covers the state. Additionally,
South Dakota is at times considered to be a part
of the West.
The Missouri River runs through the central part
of South Dakota. To the east of the river lie
low hills and lakes formed by glaciers. Fertile
farm country covers the area.
To the west of the river the land consists of
deep canyons and rolling plains. South Dakota
has a total land area of 77,116 sq. miles
(199,905 kmē), making the state the 17th largest
in the Union.
South Dakota is bordered to the north by North
Dakota; to the south by Nebraska; to the east by
Iowa and Minnesota; and to the west by Wyoming
and Montana.
This article is licensed under
the
GNU Free Documentation License.
It uses material from the
Wikipedia
article "South Dakota".
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Patterns, Reflections and Dull Days - For
Photography and Photographers
by
Paul Scott
Colour on a dull day
Most
photographers loathe poor weather but even on the
greyest days there are still pictures to be found.
Colour is the most powerful and emotive of all the
photographic elements. It can grab our attention,
and can turn a mundane subject into a winning
photograph. Usually colour looks its strongest when
lit with frontal lighting but with some subjects
this approach creates pictures where the colour is
just too strong. Certain colours, particularly reds,
yellows, oranges and pinks, can dominate a
composition drawing the eye into the picture. To do
this with subtlety you need to use indirect lighting
such as that found on an overcast day. The diffused
lighting will tend to soften the brilliant hues
slightly. It can also be an approach that can help
to control some of the more garish colour
combinations that you find on your travels and will
give you a theme to follow on those drab days of
your vacation.
Patterns
Once
you start looking, you will find patterns everywhere
you go - the challenge to the photographer is to
find a way to show them on an image.
From
the leaves on tree's to the bricks in a wall, we are
surrounded by repeated shapes wherever we go. But
because pattern is everywhere, we tend not to notice
it readily however, by choosing an unusual camera
angle, a photograph can emphasise this repetition
and symmetry Often the answer is to zoom in, or move
in, close, so that the pattern fills the frame
isolating it from its surroundings.
A
high or low camera angle can also be useful, as it
can show things from a viewpoint that the human eye
is not used to. It is also worth trying to
photograph the pattern from oblique angles with
wider lens settings, so that you create some
variation in size amongst the identical shapes the
ones nearer the camera appearing much larger than
those which are further away.
Reflections
Water not only helps create a double image of your
subject it can frequently provide you with an
original view of a well-known landmark.
A
stretch of water is always worth hunting out as a
foreground for your photographs. The surface of a
lake, river, pond, or even puddle, will create its
own image of the subject in front of you. If the
surface of the water is perfectly still, the
reflection is a perfect copy of your subject. A
rippled surface, on the other hand, creates a
distorted, or abstract, view of the scene. Either
way, the reflection gives you an alternative view of
the subject.
There are two approaches to photographing
reflections. You can aim to include both subject and
its mirror image creating a feeling of harmony that
suits some subjects well. However, the perfectly
balanced design can be too symmetrical on other
occasions. The other approach is to photograph the
reflection alone. This creates a more mysterious
view of the subject - particularly if the surface of
the water is not completely flat. When presenting
these shots, you have the option of showing the
picture as you shot it - or being more devious by
turning the composition upside-down.
About the Author
For
advice on Photography try
Black White Photography Tips or
Black and White Photography Tip or
Black Photography Tip White
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